baby-make-it-hurt

hektikk:

a-loverscomplaint:

so god damn happy with this shoot so far. Vote for me to win Miss Inked Australia 2015 by liking my photo on facebook HERE xo

HOLY SMOKES BATMAN, LOOK AT KATE! 😍😍😍

Guys seriously, if you haven’t already voted for Kate to win miss Inked AUS/NZ 2015
Please follow the links and do so, all you have to do is “like” the photo of her on Facebook!

https://m.facebook.com/InkedAustralia/photos/a.10152319605279234.1073741827.360547924233/10152319605839234/?type=1&comment_id=10152368913524234&notif_t=like


Please go and show some support everyone! She has the potential to come first if more people get behind her!

frankensteinsfunhouse

asylum-art:

Light Painting with 1,871 Slices of a Corpse by Frank Schott

Joseph Paul Jernigan was a Texas murderer who was executed by lethal injection. His body was then sliced into 1,871, 1mm cross sections, digitized and has now been used to create eerily stunning photographs.

This animation represents the entire data set (1,871 slices) of the male cadaver from the Visible Human Project. The animation was played fullscreen on a computer, which was moved around by an assistant while being photographed in a dark environment. The resulting images are long-exposure “light paintings” of the entire cadaver. Variations in the movement of the computer during each exposure created differences in the shape of the body throughout the series. The project has been named 12:31, which was the time of death (by lethal injection) for Joseph Paul Jernigan.

This animation represents the entire data set (1,871 slices) of the male cadaver from the Visible Human Project. The animation was played fullscreen on a computer, which was moved around by an assistant while being photographed in a dark environment. The resulting images are long-exposure “light paintings” of the entire cadaver. Variations in the movement of the computer during each exposure created differences in the shape of the body throughout the series. Light Painting with 1,871 Slices of a Corpse

Croix Gagnon (concept and art director), Frank Schott (photographer) and Alex Katz (post production) used a combination of night photography and long-exposure photographs of the animation below.

Watch the video: